Manchester University Wind Orchestra’s (MUWO) latest concert was held on Saturday 25th November 2017 in the wonderful Cosmo Rodewald hall in the university’s Music School. MUWO is one of a number of ensembles managed under the banner of the University’s Music Society. Musicians, conductors, orchestra managers and front of house staff are all drawn from the student body and learn a whole set of transferable skills from their involvement. Players gain performance experience under a range of different conductors and conducting styles; conductors have the chance to hone their skills with ensembles that may be new to the music being performed; and ensemble managers and front of house staff pick up all sorts of organization and management skills that are highly transferable into almost any workplace post-graduation.
The concert on Saturday featured three American composers, and one Englishman whose inspiration came from the east coast of the US, whose works spanned the whole of the 20th century. The opening piece “Watchman, Tell us of the Night” by Mark Camphouse is a tribute to the survivors of child abuse, and fluctuates between the frailty and discordance of the survivors stories, and the soaring, harmonious themes of hope and future possibilities.
Nigel Hess took the geography and people of the US east coast as the inspiration for his East Coast Pictures. On Saturday, MUWO performed the Pictures beautifully, effortlessly capturing the coastal solitude of Shelter Island, the grandeur of the soaring Catskills Mountains, and the vibrant energy of Manhattan.
Charles Ives “Variations on America” was a tour de force. Written in 1891 and based on the then popular American tune “My country, tis of thee”, it is more popularly known in the UK as the melody for the UK national anthem, “God Save the Queen”. There was something almost prophetic in the way that the melody was set to some deep south, New Orleans-style orchestration that conjured an image of a jazz funeral procession. Somehow, the image of the UK’s funeral being played out in a US jazz style seemed entirely appropriate in these days of Brexit and Trump! Have a listen to a version of the piece here and see what you think.
Eric Whitacre’s piece Cloudburst was originally written for voices, but was later transposed for performance by wind orchestra. It charts the development and climax of a mid-western storm, including audience participation involving random finger clicking in the final movement to replicate the sound of the falling rain.
The concert finished (as all wind orchestra concerts focusing on American and America-themed music must) with a piece by Bernstein. This series of excerpts from On the Town gave each section of the orchestra the chance to show their virtuosity, and they didn’t disappoint. The little girl sat just in front of us, who danced all the way through, was the litmus test to how enjoyable this piece (and indeed the whole concert) was.
Well done to everybody involved. I can only hope that you enjoyed being part of it as much as I enjoyed listening.